Kalpana Pandaram

Aoa, Batt Karo/ Come, talk to me

L5 A3280
Installation view of 'Aoa, Batt Karo/ Come, talk to me,' 2024.

How can we disseminate the hybrid reality of the diasporic Indian migrant's cultural identity through readymade instruments and contribute to the spatial exploration of gathering a community?   

Aoa Batt Karo evokes the history of Indian indentured labourers from the descendant's position to the transcendental site of the temple. Eight of the artist's clocks are exchanged for eight loaned-out clocks from Hindu temples across Auckland. The clocks document the times of eight countries, all colonies where Indian indentured labourers worked. What transpired in Fiji, Trinidad and Tobago, Guyana, Kenya, Mauritius, South Africa, Malaysia, Jamaica and Uganda?     

Thank you to the thoughtful and accommodating pujarees from the following Hindu temples for their guidance and support of my artwork's production. Shri Shirdi SaiBaba's Mandir, Sri Sathya Sai Centre, Sri Radha Krishna Mandir, Bharatiya Mandir, Shri Swaminarayan Mandir, Shiva Temple, Shri Ram Mandir and Hare Krishna. 

 
L5 A3268
तीर्थ यात्रा: a journey to a holy space, 420mm x 297mm, turmeric, framed print
L5 A3269
Untitled, 320mm, loaned clock
L5 A3270
Untitled, 290mm, loaned clock
L5 A3271
Untitled, 200mm, loaned clock
L5 A3272
Untitled, 280mm, loaned clock
L5 A3273
Untitled, 250mm, loaned clock
L5 A3274
Untitled, 264mm, loaned clock
L5 A3275
Untitled, 470mm, loaned clock
L5 A3276
Untitled, 250mm, loaned clock
L5 A3277
Why temple, 420mm x 297mm, sandoor, framed print

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